What I’m reading: Ominous advice to young poets

From The Knicker­bocker New-​​York Monthly Mag­a­zine, 1837, this piece of Poe-​​ish and Coleridgean scary beauty:

The Poet

Thou dark-​​eyed, pen­sive, pas­sion­ate child of song!

Enthu­si­ast! dreamer! wor­ship­per of things

By the world’s crowd unno­ticed, ’mid the throng

Of beau­ti­ful cre­ations, Nature flings

The sun­light of exis­tence o’er!

The wings

Of the rude tem­pest are not half so strong

As thy proud hopes—thy wild imaginings:

Stop! ere their bold and sac­ri­le­gious flight

Reach a too-​​dazzling height!

Ven­tur­ing sun­ward, till the flash­ing eye

Of rea­son, grown deliri­ously bright,

Kin­dle to mad­ness, and to idiocy;

And, from exces­sive light

To hideous blind­ness fall, and ten­fold night!

Stop! melan­choly youth!

Though bright and sparkling be the tide of song,

And many a sun­beam o’er its waters dance

Mean­der­ingly along—

Though it be heaven to quaff of—yet, in truth,

A dead­lier venom taints its gay expanse,

More deep, more strong,

Than to the sub­tlest poi­son doth belong!

A very demon haunts its fœtid air,

Infat­u­at­ing with its ser­pent glance

The wan­derer there;

And, with a sad but most bewitch­ing smile,

Lur­ing the cred­u­lous one to its desire:

Stir­ring new feel­ings, pas­sions, hopes awhile,

And burn­ing thoughts, whose mad, unholy fire,

With its own strength illumes its own fune­real pyre!

Stop, if thou’dst live!—or hath life left for thee

No charms, that thou its last ter­rific scene

Shouldst with such pas­sion wor­ship? Can it be,

That the world noth­ing hath thou’dst care to win?

No gem, no flower, no love­li­ness, unseen?

No won­der unex­plored? no mystery,

Still unde­vel­oped to the eagle eye

Of Genius, or of Poësy?

Where are the depths of the dark, bil­lowy sea?

Its peo­pling millions—its gigan­tic chain

Of gor­geous, glit­ter­ing waters—wild as free?

Where the big-orb’d sun—the blue-​​veiled sky?

And its mag­nif­i­cent, diamond-​​glittering mine

Of ever-​​burning stars? Oh! can it be,

(Thou fond idol­ater at every shrine

Where beauty lingers,) can it be that thou

Hast trea­sured up earth’s glo­ri­ous things, till now

Thou deem’st it use­less­ness to turn.

Some unfa­mil­iar object to discern,

And so

Her loveli­est fea­tures unre­garded go?

Away, vain thought! such phrenzy ne’er were thine!

Since, in the hum­blest, home­li­est flower that grows—

Thy very life-​​breath, as it comes and goes—

There are a thou­sand things, whose origin,

Whose secret springs, and impulses divine,

No human art nor wis­dom can disclose!

Stop, then, sad youth! for life is not all care,

But, hath its hours of rosy-​​lipped delight;

While the cold grave hath lit­tle save despair,

The weary, world-​​worn spirit to invite.

Stop! I con­jure thee I bid the muse away!

Her fatal gifts relin­quish or resign;

Her haughty man­dates heed not nor obey:

E’en now thy brow hath sorrow’s pal­lid sign—

Thine eye, though bright, is like the flick­er­ing ray

Of a ‘stray sun­beam, o’er some ruin’d shrine,’

Light­ing up ves­tiges almost divine,

In sad, yet, dimly-​​beautiful decay!

Thy cheek is sunken, and the fickle play

Of the faint smile that curls thy parted lip

Hath some­thing fear­ful in it, though so gay!

A some­thing treach­er­ously calm, and deep,

Such as on sunny waters seems to sleep,

When hid beneath some pass­ing shad­ows gray,

The sub­tle storm-​​fiend watches for his prey.

Stop! ere thine hour of dal­liance be over;

Ere Health aban­don thee, and quench her light

In the dark stream of death, (the faith­less rover!)

Ere Hope her­self take flight

Down to the depths of that dark-​​flowing river,

Whose som­bre shores are clothed in end­less night;

Ere thou be wrested from us—and for ever!

Blot­ted, like some loved planet, from our sight!

And, save the ties

That not e’en Des­tiny itself can sever,

A fee­ble rem­i­nis­cence or a name

Be all thou leav’st us of thee ’neath the skies—

Or some rude stone, per­chance, to greet our eyes,

And, with its speech­less elo­quence proclaim:

Here lies

Another vic­tim to thy love, O Fame!’

Philadel­phia, 1837.
J. S. D. S.

Spe­cial thanks to my lovely wife, who helped with formatting.God, doesn’t CSS suck?

On the lifetime of genres

In the midst of a very nice din­ner of seared Ahi tuna and veal scalop­pine, served along­side a pleas­ant and richly fla­vor­ful bot­tle of Luc­carelli Prim­i­tivo, my wife and I were chatting.

I had just told an anec­dote of my day (hello there, Adam!), involv­ing a younger col­league ask­ing me the name of a “song from the 50s or 60s, some­thing about ‘Bill’ in the title.” I pointed out to him that, dude, no, the only song in my men­tal cab­i­net from “way back” with Bill in the title is Camper Van Beethoven’s “Where the hell is Bill?”

In my head are the loud, edgy, rau­cous, and exotic sounds of the early 80s and 90s, Indus­trial and Prog and Grunge and –”

My wife pointed her fork at me, right there, at that exact point in the sen­tence, and said to me: How long did that guy say the mys­te­ri­ous life­time of lit­er­ary gen­res was? Huh? 20, 30 years, no? Isn’t it a bit odd that we don’t buy music any more?

Or even many books?

File under “Same Today as Used to Be”

Carl Pyr­dum points indi­rectly at how things these days have gone to hell—just like they always have. In this case, “Oh My God, They Got Medieval On South Park! You Bastards!”:

But back to the hor­ri­ble sac­ri­lege of the actual South Park episode. I couldn’t find any exam­ples of the Virgin’s men­strual blood being ven­er­ated in the Mid­dle Ages, unfor­tu­nately, though not for lack of try­ing.**** The clos­est I could get was to her men­strual cave. As all good Chris­tians know–especially those at the Catholic League of Stuff and Things–the Bible is very spe­cific about men­stru­at­ing. At that time of the month, a woman should remain in a cave in order to keep from mak­ing things unclean, and since Mary was a good Jew, she retired to a cave with a handy mikveh, or purifi­ca­tion bath, which you can still visit in Nazareth today. The best part is, the whole site is under the con­trol of French Fran­cis­cans for some rea­son. I imag­ine there was some kind of draft for holy arti­facts around the time of the Ref­or­ma­tion. The Tem­plars got the num­ber one first round pick, on account of hav­ing been com­pletely erad­i­cated, and they drafted the Holy Grail. The Fran­cis­cans had unwisely traded away most of their picks for miracles-​​to-​​be-​​named-​​later, and so the men­strual cave was just all that was left by the time they got to go.