That wood wears out predictably

A sta­tis­ti­cal model of the rel­a­tive print order of Renais­sance prints:

Hedges, a biol­o­gist whose hobby involves Renais­sance prints and maps, devel­oped his “print clock” method by first mea­sur­ing time-​​related changes in 2,674 Renais­sance works. He found that the num­ber of breaks in the lines of images printed from wood­block carv­ings increased over time, while the image inten­sity became more pale in cop­per­plate prints. “Because wood­blocks and cop­per­plates were expen­sive to replace, they com­monly were reused for decades to pro­duce mul­ti­ple edi­tions of a book or print,” Hedges said. His meth­ods include tak­ing dig­i­tal pho­tographs of the prints, which he ana­lyzes with stan­dard sta­tis­ti­cal meth­ods and with widely used image-​​analysis soft­ware. Work­ing with black-​​and-​​white pix­els, the soft­ware can detect and count breaks in the lines of wood­block prints and can mea­sure fad­ing of the etched and engraved lines of cop­per­plate prints.

(Via George Hotelling.)

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