Too long. Do not read.

The other day I wrote a bit about remem­ber­ing, and things oth­er­wise unre­marked tied together to make the cloth of his­tory. This was framed a bit as a reac­tion to purg­ers, cleansers, sim­pli­fiers and the norm, but really? Really it was a circle’s line cross­ing sev­eral times (they can do that, you know).

I use that phrase “draw­ing a cir­cle” often. It’s Charles Fort’s, orig­i­nally. Go look it up if you need remind­ing. He was a crazy old crack­pot of a fel­low, Char­lie was. Amus­ing, though: he could after all tell an engag­ing story.

Any­way, a decade is a fool­ishly long time to draw a cir­cle; fif­teen years, twenty years, a life­time even cra­zier. You get wild some­times along the path, or jit­tery, or buf­feted off course, or just plain bored. Even­tu­ally you don’t end up with any­thing quite so pre­cise or Zen as a “cir­cle”. But you draw, and what you draw you call a cir­cle because that’s what the metaphor demands: it’s always a circle.

I think 1997 it was I had a chance to visit Trin­ity. The place with the bomb, and the place about which I wrote my first blog-​​ramble thing about my father’s sto­ries of work­ing on high-​​speed cam­eras capa­ble of tak­ing pho­tographs of nuclear explo­sions, and how (because surely the records are gone, or at least unre­marked) those pho­tos of the grow­ing blos­som of Trinity’s explo­sion must there­fore be his, mine, ours, that camera’s. I called it “nanohis­tory” back then; it was a bit of a gag on nan­otech­nol­ogy I thought, and the future, and also mul­ti­scaled phe­nom­ena which we were all doing back in the day, but that was the thing I saw and wrote.

By now some of the folks who ate Green Chili Cheese­burg­ers with me at the Owl (best in the world) and rode the Trin­ity bus that day have had strokes. Some Ph.D.s are granted; some wives are dead. They’ve moved out of their well-​​preserved Mod­erne homes along the Turquoise Trail, they’re still liv­ing in Santa Fe, they’re where they went. And so on. Years of lit­tle accu­mu­lated drifts have piled up around the line they drew col­lec­tively. Unre­marked (at least by me) since the day I filled a roll of 35mm film with their por­traits lit by White Sands sun.

And in that time I’ve emp­tied out the house where my father’s and mother’s mate­r­ial sto­ries, their “mem­o­ra­bilia”, was stock­piled, and picked up new habits and careers, had deaths and all kinds of wig­gles of my own. Even the ram­bling essay I wrote in Santa Fe is nearly gone from the world. Its ear­lier ver­sions are surely gone, as I never have been both­ered to keep older ver­sions, early edits, that sort of thing, and I just threw away the diskettes a week or two back. In the trash. There is no machine in my house that could read them, after all, so why bother with drafts of unread rambles?

This is nor­mal stuff. Mun­dane; entirely of the world. But it’s about remem­ber­ing. Being reminded.

We were invent­ing Big Data back there in the late 1990s. Have I told you that? I think I’ve apol­o­gized for it already. But some of the very peo­ple at Trin­ity with me that first Sat­ur­day in Octo­ber fif­teen years back were the founders of bioin­for­mat­ics. Some of us are the data min­ers who wres­tle piles and reams of ASCII and pix­els into cobbled-​​together con­trap­tions we built from folk wis­dom and jury-​​rigged repur­posed com­po­nents we dragged out from the garage. We were dis­cov­er­ing how to ren­der data down into clar­i­fied, burn­ing util­ity: mod­els, pre­dic­tions, and above all con­trols.

Con­trol was a big one, and I think the most ironic. After all, we were com­plex­ol­o­gists: for fuck’s sake we were the End of Sci­ence, with our hand-​​waving anec­do­tal sub­jec­tive con­tin­gent agent-​​based mod­els. We were about emer­gence, the not just uncon­trolled but inexplicable.

Though it didn’t really work out that way some­how. Nowa­days not many of us are left here in the Prover­bial Woods. There’s a fad or a rev­o­lu­tion or a war or some­thing, or so I hear, and the vast major­ity have put on ill-​​fitting suits and gone down to the City to be hired up by Big Data Distilleries—Big Brother, Data Sci­ence, and even a few at the Tower of Words. Those folks stroll the aisles now under sus­pended ceil­ings of fluorescent-​​lit data cen­ters, pat­ting earnest work­ers in (prover­bial) white lab coats on their shoul­ders. Either that, or they fell to the ser­vice of cor­po­ra­tions, and their work became the jar­gon of the Street, which dearly loved our Edges of Chaos and Emer­gences and Non­lin­ear­i­ties as handy excuses for doing what had already been decided: mak­ing this world we live in.

Just a few of us left here End­ing Sci­ence these days. A lit­tle bit at a time, the work goes on until we’re all bought off or dead. We’re not a colony in any sense now of course; more in the role of folksy fogeys in the shad­ows of the diner down­town, talk­ing up con­tin­gency and nar­ra­tive, while cling­ing to an obso­lete human­is­tic def­i­n­i­tion of “emer­gence” and “path-​​dependence” nearly all worn to thread like a quilt in a barn.

Yeah, well. At least there’s coffee.

Hey, here’s a funny thing: Did you know it’s no longer obses­sive com­pul­sive dis­or­der when you col­lect a petabyte of data from a par­tic­u­lar rat neu­ron and absorb your months’ atten­tion focused on just the lovely pat­terns in the spike trains? Or that it’s no longer hoard­ing when you’re dri­ven to stock­pile every dig­i­tized book in the entire world? Or that even the old saw about try­ing the “same thing over and over and expect­ing dif­fer­ent out­comes” doesn’t really come into play nowa­days when the things you keep try­ing are the func­tional capac­i­ties of com­bi­na­to­r­ial vari­ants of pro­tein sequences? And! And! It isn’t eavesdropping—you are not a scary neigh­bor lady—when all the phone calls of a city are pressed into your ser­vice of know­ing what those damned kids are doing over there, with their par­ents away (it shouldn’t be allowed)!

That’s infer­ence now, not madness.

It’s the fron­tier we (and oth­ers not far out along our social net­works) opened up for you all, about the time we rode the dusty road into Trin­ity. All those things are now new kinds of ser­vice. Not a sad lone mad­ness left among them.

[“Isn’t that inter­est­ing, isn’t that inter­est­ing.” That’s what my sharp old friend Lew Tilney would have said, with­out a sin­gle ques­tion mark at all, when I was dazedly walk­ing the halls of Leidy Labs try­ing des­per­ately to dis­cover what was wanted of me by my supe­ri­ors. He’d walk up and slap his hand down on your shoul­der and say, “Tozier! You know about trees! I was just read­ing about trees! Did you know there’s absolutely no damned way water can get to the top of trees? Physics won’t han­dle it! Now isn’t that inter­est­ing.” And he’d stride down the hall in his red socks and I’d wish I could see what came of that thread, instead of hav­ing to jus­tify the count­ing of com­bi­na­to­r­ial pro­teins’ func­tions to peo­ple who found it mad. I learned years too late that Lew was always right every time he told you, “Now isn’t that inter­est­ing.” It was and is always inter­est­ing, salient, con­nected. There is never any ques­tion to mark.]

So a point is, that I wouldn’t be sur­prised if there was a time around 1900 when talk­ing into boxes and expect­ing an answer stopped being con­sid­ered mad­ness. Or a time when act­ing as though you knew what a per­son far away was doing that very day didn’t make folks laugh. And so on. You get that pic­ture? Now isn’t that interesting.

At any rate, some of the peo­ple on that bus to Trin­ity, and plenty more who didn’t make the trip that day, or who I met later or ear­lier in my life by a few years one way or the other—they made all these mad­nesses into stuff you see on mag­a­zine cov­ers and RSS feeds.

And I love that. I can’t tell you how lucky I’ve been to fall into this hobby of watch­ing smart peo­ple notic­ing things.

It feels like “mad­ness” peri­od­i­cally becomes the fab­ric of soci­eties, in turns, as new trans­for­ma­tive tech­nolo­gies come online and escape and spread and do their stuff. I could be more focused I’m sure, more jour­nal­is­tic. I could refer to one of those Philoso­phers of Sci­ence you only really see in epi­grams these days, Kuhn or Lakatos or some­body. But not this time; this is mere folksy ram­bling, not obser­va­tion of a sort that’s useful.

I just noticed, is all. Way I see it, this is me just hav­ing fun watch­ing smart peo­ple start­ing to try to real­ize they ought maybe to notice some­thing again. And undoubt­edly I’ll just sit here and watch for a while more, and when nothing’s forth­com­ing, maybe I’ll just change the subject.

Not worked it out? Well, that’s fine, that’s fine. No rea­son to stop chat­ting, is it?

Maybe we ought to shift gears, talk about the human­i­ties for a while. Wikipedia (I smile for some rea­son when­ever I link there these days) says the human­i­ties are dis­ci­plines that study the human con­di­tion. “Dis­ci­plines” is another word that makes me smile nowa­days, too, thank Abbott.

You know, I have a fond respect for those poor folks in the human­i­ties. Per­sonal fond­ness even. When I was a kid, it was decided I was either going to go to Case and be a biol­o­gist, or go to Ober­lin or what’s that other place’s name that begins with a D—I can’t recall—and be an Eng­lish major. A writer sort. Senior year it was old Bill Caw­ley, my high school Eng­lish teacher (so hard not to say “pro­fes­sor”, isn’t it?) who slapped a hand down on my shoul­der and told me peo­ple actu­ally still could make a liv­ing, if a hard one, writ­ing. But I picked the other, and luck­ily too because I met my beloved wife of twenty-​​five years (amus­ingly enough in a His­tory of Sci­ence course, about sto­ries, words, though we barely paid atten­tion at the time for love), and as a pretty good sci­ence sort I got even­tu­ally to that bus in Trin­ity, and learned or to some extent made up the skills of Big Data. And here I am. A folk­ways prac­ti­tioner of complexology.

Along the way I spent time in var­i­ous acad­e­mies and such. Over there sat the archae­ol­o­gists, writ­ers, the his­to­ri­ans and all those other human­i­ties folks (who I swear actu­ally wear tweed some­times), cling­ing to shrink­ing islands of depart­ments in the context-​​focused Trans­formed Uni­ver­si­ties of the Aus­tere Era. Try­ing dili­gently to instill a love of let­ters, or story, or mem­ory or some­thing in the thou­sands of kids who trooped through the lec­ture halls.

Kids are still, at least for the moment, expected to get an embed­ding cul­tural frame­work slapped around them, if only to keep them good cit­i­zens and informed vot­ers and able to see per­spec­tive on the human con­di­tion. Though not too much.

What­ever is the “human con­di­tion” these days? Surely it’s 2.0 by now. It’s a kind of mad­ness to think it hasn’t changed, that peo­ple haven’t been trans­formed utterly by all this net­work­ing and hav­ing machine intel­li­gences at hand with which they can sift the raw data of the rev­o­lu­tion to pro­duce infor­ma­tion, util­ity, weal and woe of var­i­ous sorts. I mean: we have a new ubiq­ui­tous sen­so­rium! A dif­fer­ent world, in which Sci­ence didn’t End at all.

And see all of pub­lic pol­icy seems now to want to do away with the waste Great Works entail, the dis­trac­tion from what kids want and what’s best for them. Ide­ally they should be get­ting jobs, and learn­ing skills, and prepar­ing for what­ever it is Big Data uncov­ers “auto­mat­i­cally”. That’s what I seem to hear. Polit­i­cally con­ser­v­a­tive folks want to do away with the thoughts that the human­i­ties pro­voke; polit­i­cally lib­eral folks want to do away with the ties to benighted and inhu­man Bad Old Hege­monic Times the human­i­ties rehu­man­ize. In both cases I think it’s maybe the sense of incon­sis­tency you get from read lit­er­a­ture and dis­cussed his­tory that’s the biggest threat. We talk of the human­i­ties in terms of waste and inutil­ity, but really they’re seen as a threat.

They’re con­fus­ing. They dilute the story of the present and the future.

Let­ters, you see, are com­plex. His­tory isn’t glib, it’s really never glib: it’s got folds tucked into its folds, and every­thing seems to mean some­thing else to some­body else. The human­i­ties are oner­ous because they’re all so tied together by these con­fus­ing per­sonal sub­jec­tive acci­den­tal ram­i­fied net­works that reach back down into the stacks of libraries we’re emp­ty­ing, and mean­ings and usage we’re gloss­ing over these days.

And so they’re dan­ger­ous. Lean times call for lean­ness; what’s needed now is an effi­cient abil­ity to frame every action­able item and sort it on the basis of deliv­ered value. His­tory doesn’t have a lane on the kanban.

It’s a waste­ful kind of mad­ness to dive down too far into old books. And a dan­ger­ous kind of mad­ness to force kids who might bet­ter be work­ing in the present and build­ing our future to sit quiet and look instead into the past. What could they pos­si­bly gather up from that well-​​trod ceme­tery soil? Things are dif­fer­ent now.

By now you’re think­ing I’m bemoan­ing the end of the human­i­ties depart­ments and the clo­sure of libraries and the loss of all that tweed. Really? You know, that would be a nice sim­ple story you could dis­till out of this path if you like: “Dagnab­bit, wouldn’t it be bet­ter if we taught kids Greek again? Why not add Let­ters and His­tory to STEM, and make it… STEMLH. Crap. We’re going to need more vow­els. Get Art on the phone, stat.”

But no, that’s not what I’m encir­cling. That’s been done, and besides I’m sup­posed to be End­ing Science.

The trick is, Sci­ence is all tied and twisted up in the Human­i­ties, Snow notwith­stand­ing. They’re jeal­ous sib­lings, copy­ing one another in turn. Now isn’t that interesting.

Here’s what I love about the human­i­ties, at this junc­ture: Just as every fam­ily gath­er­ing has that mem­o­rable crazy Aunt or Uncle, the human­i­ties still insist on com­ing to our metaphoric Thanks­giv­ings and ram­bling on about their per­sonal hobby horses.

Bru­tal frank­ness: I like them human­i­ties folks much bet­ter these days than I like most of my Sci­encey Engi­neery cohort, or most any of the folks who sit with me at con­fer­ences of learned soci­eties nowa­days when I deign to drag myself down to the City and attend. They’re all good peo­ple who com­pute and sift and train up the Future, but they are nonethe­less a bor­ing old bunch. That stereo­type is still just as true as the tweed human­ists’ trope.

Ah but see, those human­i­ties folks, they can tell a story. And they remem­ber stuff. Crazy stuff, like how to read the ship­ping man­i­fests of third cen­tury Asia Minor, or how some ellip­tic ref­er­ences to “death” are really horny poet-​​talk while oth­ers are about tuber­cu­lo­sis. And this one is best, as I see it: They’re will­ing to use the word “remem­ber” to refer to acts of con­struc­tion.

They apol­o­gize a lit­tle bit to the rest of us when they “remem­ber”, just to explain the weird affec­ta­tion they have that telling a story is build­ing a thing. The mode in sci­ence these days, and also engi­neer­ing, is that remem­ber­ing is par­ing away mis­takes, and dis­clos­ing the real truth of the world so it can be shared and con­sis­tency may reign on Earth as it does… (well you know the rest of that one). Among them­selves the human­i­ties folks all know remem­ber­ing is a spe­cial kind of mak­ing, that recall­ing and record­ing is con­struct­ing nov­elty, that it’s not com­pu­ta­tion or reduc­tion or scour­ing away matrix. And even bet­ter: they know how to make this spe­cial mad kind of mak­ing use­ful, or at least engag­ing and enter­tain­ing. Often as not they spend most of their time enter­tain­ing one another, read­ing their papers aloud at con­fer­ences and such, but some­times one will be lifted up from their shrink­ing island pre­serve and be pre­sented in the pop­u­lar press, as a kind of Out­sider Artist or something.

That thing they do, I like that. I like their mind­ful­ness, that they act as if know­ing were making.

Not many of us like it so much any more, though. It’s a mad notion when you look at it from a mod­ern per­spec­tive: his­tory and lit­er­a­ture, poetry and clas­sics, archae­ol­ogy and danc­ing about archi­tec­ture. “Mad” for the same rea­sons you’d be put away in a rest home for stand­ing up in a busy pub­lic place where peo­ple are try­ing to go off and get their proper work done, yelling and rant­ing and invok­ing archaic names in cease­less demands that they slow down and notice, see what’s there—or more likely what isn’t there.

Crazy peo­ple tell folks to slow down in lean times. They ques­tion what’s real and known and true all over again, stuff we’ve shipped, the truth we’ve accu­mu­lated. As if when you exam­ined it again for the hun­dredth time, the old pho­to­graph of a bomb explod­ing would this time be more than an image of real­ity hang­ing on a fence in a desert. Some kind of story you made up on the spot, dif­fer­ent next time.

But of course you and I know remem­ber­ing is sim­ply look­ing stuff up.

It’s not mak­ing things up. Data access, which is why we’re all so earnest in our record­ing and cura­tion of the facts. Data access is what dri­ves Big Sci­ence now, and mar­ket­ing and all sta­tis­ti­cal mir­a­cles that have come to pass and are nascent in the world. It’s the real world, the world of data that’s impor­tant, not the made-​​up world of fic­tion and his­tory. A can­cer cure is not a story, nor is the money in the bank you made from high-​​speed trad­ing, nor even the counts of the num­ber of times the gen­dered pro­nouns appeared in our dig­i­tized Early Mod­ern books. Those are facts, writ­ten down right there on in public.

And yet there are still a few of these other poor folks, sit­ting down and qui­etly read­ing old stuff and act­ing as if mod­ern sta­tis­tics and data-​​driven expla­na­tions were any­thing at all like story-​​telling. Mad folk. Fid­dling in back-​​country hollers of the acad­emy, lit­tle ivy-​​covered muse­ums and even lone shacks off the beaten track, refus­ing for what­ever rea­son to move down to the City and get them­selves a proper job adjunct­ing or something.

Ayup.

No, that was it. I was just think­ing out loud about the human­i­ties, is all. Sad to see them go, you know. But it’s for the best.

Say, I bet you know about data! I’ve been think­ing a lit­tle about data lately. Did you know that there’s so much data now that there’s no damned way to con­sider every model, pre­dic­tion, or con­trol mechanism—even for one given data stream? Let alone all of them! It makes no sense. Data’s all there, mod­els are sim­ple to build, and so now all the work is boiled down to argu­ments over tech­nique, con­coct­ing var­i­ous approaches and invok­ing con­flict­ing proofs, and wor­ry­ing about util­ity func­tions and con­straints and con­tin­gen­cies. Hell, it’s like now we have the data, only the hard part is left: fig­ur­ing out what ques­tions to ask first.

Now isn’t that interesting.

& archaeology up to here”

For more than a decade I’ve been left in the posi­tion of clean­ing up after dying cura­tors and col­lec­tors. It’s an object les­son in where col­lec­tion actu­ally exists: surely the boxes of pyrog­ra­phy or ele­phants or first edi­tions that waited for your atten­tion are no longer your col­lec­tion, now you’re dead. The record is gone, the record you bore in your mem­ory, the sparks of recog­ni­tion and anec­dotes that you car­ried in response are unreach­able now.

So my father’s mem­o­ra­bilia from NACA and the first days of NASA Lewis Research are now bare pho­tographs, snips of glass­ware blown by the mas­ters in the instru­ments lab, parts of plaques and trin­kets received to honor unknown anniver­saries and projects. My mother’s gar­den­ing books are reduced to a mere pend­ing book sale, her cards iden­ti­fy­ing the jum­bled gar­den she kept as use­less as the plowed-​​over drought-​​purged gar­den itself. My wife’s par­ents, with their own accu­mu­lated and uncu­rated prece­dents, are a genealog­i­cal mys­tery story too baroque for pub­li­ca­tion: Wait, I thought she was mar­ried to him—who’s this? My lost friend Nancy, her­self a col­lec­tor of col­lec­tions, can no longer tell me the dif­fer­ence between the fancy milk glass and the cheap junk, or help me split the Vic­to­rian pyrog­ra­phy from the 1930s kit-​​work she accu­mu­lated in her over-​​small house. My god­fa­ther, who came to this coun­try as if to a fron­tier, with a patent in hand that made a (small) for­tune by stuff­ing your attics full of pink floss, his few passed-​​along bits and bobs sal­vaged from a 1900s Wiener Wek­stätte youth adorn our shelves and con­found vis­i­tors by being so out of place.

There’s a swirl of pop-​​cultural pop-​​psychology float­ing in and around col­lect­ing these days, focused on throw­ing “hoard­ing” glibly down in front of any cul­tural vari­a­tion that shows respect for mem­ory and mate­r­ial cul­ture at the expense of geo­met­ric aus­ter­ity. Yet at the same time we love love love our tum­blrs full of scanned ephemera, the RSS feeds filled with snap­shots snipped from 1940s girlie rags and punk zines, the free (as in what? “beer”?) books scanned up to the cease-​​and-​​desist line of 1923. The past is all the more a for­eign coun­try because it’s kept in other people’s houses, in muse­ums and libraries and pri­vate col­lec­tions we not only never visit but we alien­ate by call­ing “pathological”.

If the autis­tic or the over-​​social, the reli­gious or the ruth­less athe­ist, the cap­i­tal­ist or the vol­un­teer can all make their valid claims for respect in our soci­ety, let this be a claim on behalf of remem­ber­ers. Not those pun­dits who resort to big-​​story macro­scopic remem­ber­ing: where were you when Large Things Hap­pened that Tie Us Together? But the sup­pos­edly triv­ial mem­o­ries, a.k.a. “the fab­ric of his­tory”. The baby thrown out with the bath­wa­ter of hoarding-​​abhorrence is the baby of our ori­gins in fam­ily and cul­ture, the fine wires that con­nect the stuff we read in his­tory text­books to our selves.

Know­ing about all this junk is the only way I know to own your own his­tory, the his­tory of your place and your peo­ple. Oth­er­wise, any­thing not in your head is reduced to a cun­ning sci­ence fic­tion story. When we who breathed leaded gaso­line fumes are all dead, it’ll only be the key fobs for lost man­u­fac­tur­ers, the unin­sta­grammed images of gas sta­tions with uni­forms, the mis­folded road maps and quaint mag­a­zine ads that reminds us what that thing meant to the world.

I’m sit­ting within a few inches of a Chi­nese check­ers board (of Nancy’s, since hers is the stra­tum we’ve recently uncov­ered after the purge of a decade’s deaths) and sit­ting next to it is a lit­tle wooden con­trap­tion: a block of mahogany-​​stained oak carved cun­ningly with chan­nels, dec­o­rated with rotat­ing screw-​​hinged caps, hold­ing mar­bles for the game. It’s a purpose-​​built wooden Chi­nese Check­ers marble-​​holder, man­u­fac­tured by the Van Raden Prod­uct Com­pany of Alter Road, in Detroit. Not by Mil­ton Bradley, but rather by… some dude. You Google it, you’ll find this men­tion, and some forums some­where on some wood­work­ing topic where a fel­low found another and doesn’t know what to make of it.

20120930-DSC_9364.jpg

The address was 3136 Alter Road, Detroit. Go look it up on Google Maps. Zoom right on in there. Look real close at the house where this man lived. What you see? Zoom out a cou­ple blocks. Look at those blocks, that wide-​​ranging per­fu­sion of lawn they seem to have. Spa­cious, yes? Gone. Zoom out a bit more, look at that den­sity. The voids. The holes.

Gone. Gone. Gone.

Tell me the story of the man who made the mar­ble hold­ers, back in the Chi­nese Check­ers craze of the late Depres­sion, in that vacant lot in Detroit. The neigh­bor­hood in which he arose is filled with empty blocks, five or six houses left stand­ing on entire city blocks. Res­i­den­tial blocks. Each miss­ing house once filled with things that ended up dead stuff, the chaff of history.

I don’t know what to do about this. It’s no eas­ier to fix than the death of peo­ple is, and some days it seems there’s no more point in attribut­ing “his­tory” to key fobs from dis­ap­peared car deal­er­ships and framed prints on the wall behind the pho­tographed dead than there is to sav­ing emp­tied milk con­tain­ers and screws in a baby food jar. And yet there is in fact some­thing hap­pen­ing, some­thing odd and inter­est­ing. I can find my godfather’s name here and there in the grow­ing mem­ory of the world and some­how draw the flimsy links through pub­lic records to the point where we can drive up to his Ross­ford neigh­bor­hood and rec­og­nize things from pho­tographs he took the day the house was new, in 1927. I see my father’s tiny image stand­ing at the side of pho­tos in the NACA Lan­g­ley his­tory archives, and that same day he clearly took a pic­ture for him­self, stand­ing look­ing back the other way. And I go to see Van Raden’s street, now, after wars and more wars and aban­don­ment and scour­ing, and if I want take back his hand­i­work and make a new (though flimsy) link of sorts.

Not every thing’s a reminder, nor of his­tor­i­cal import. But the abil­ity to tell mean­ing­ful sto­ries about those things is as far as I know the only way we have to explain them and ourselves—the sort of expla­na­tion that’s not merely our strength but also our responsibility.

This just to say that as I sell things off, and purge and lighten and dis­card, I’m doing all I can to weave as well. Be reminded; that’s all I ask. Be reminded.

A Cnut of the Apocalypse

It’s been a few years now that Bar­bara and I have been lis­ten­ing to books on CD as we fall asleep. Usu­ally a chap­ter at a time, unless we, umm… you know, retire early. We’re lucky to have a well-​​stocked pub­lic library, with a lot of works by excel­lent and engag­ing lec­tur­ers who aren’t too whiny or hes­i­tant. And (thank good­ness) not all of them are about Greece and Rome.

I mean we haven’t avoided Greece and Rome; nobody can. We’ve had our share of Great Men, Great Philoso­phers, Emper­ors, Tyrants, the world accord­ing to Thucy­dides and Plutarch. Even the “periph­eral” [flag that word for a moment, please] his­to­ries we lis­ten to—the Celts, Asia Minor, Persia—and the off-​​brand facets his­to­ries like the Ara­bic Sci­en­tists and the Enlight­en­ment and stuff always touch on Greece and Rome, democ­racy and empire. Wind, fire, all that kind of thing.

Maybe it’s osmo­sis, or maybe it’s some­thing more akin to repeated slaps on the fore­head with a rolled-​​up scroll while broadly mouthing “LOOK AT THIS AGAIN”, but I’m start­ing to notice some­thing I never saw before. Like any nerd, I grew up learn­ing about Greece from brightly col­ored mythol­ogy books, and Rome out of Spar­ta­cus and such. Our Social Stud­ies classes were all about 1970s Patri­o­tism tinged by that 1950s Dewey-​​would-​​lose-​​against-​​Marx Cold War cit­i­zen­ship stew and ped­a­gog­i­cal style our teach­ers were raised up in. The Found­ing Fathers read about Greece and Rome, inspired by the democ­ra­cies of Athens and the repub­lic of Rome, blah blah. So maybe one needs to have been slapped on the fore­head a few dozen times with the actual his­tory before that patina of received wis­dom starts to crack.

Viz: it wasn’t that simple.

Now any actual his­to­rian will prob­a­bly be mak­ing the Wry Smile Eye-​​rolling Face now. But of course most of us well-​​educated liberal-​​thinking tech­ni­cal folks don’t bother too much, no mat­ter how earnestly and effi­ciently we pur­sue knowl­edge, to dive down the rat-​​hole of Nar­ra­tive Construction.

It all starts with Egypt, of course. I remem­ber as a Junior High stu­dent I would get up at 6am (for some rea­son) and watch a tele­vi­sion class about Egypt­ian art on some broad­cast Cleve­land TV sta­tion. And you know they men­tion this Ptolemy dude, either the Emperor (wait, Egypt didn’t have Emper­ors, it had Pharaohs) or the Astronomer Who Was Very Wrong (wait, were there Astronomers or just Astrologers before Coper­ni­cus?), and it grad­u­ally sinks in and it’s only decades later that some other tid­bit or two falls into place and Whoa whoa hang on, that was Greek no I mean Mace­don­ian I mean Hel­lenis­tic stuff, and Egypt was the south­west­ern Alexan­drine empire, and—hang on—so the Romans were deal­ing with the rem­nants of Alexander’s empire?! and so on. Strands con­geal, like DNA pre­cip­i­tat­ing in an Eppen­dorf tube (hey, that’s my heritage).

And then Whoa, hang on again—so all those let­ters from Bible dudes and Greek Philoso­phers and Geome­ters were from Turkey?! and then But but the “demo­c­ra­tic” Athe­ni­ans were total ass­holes and thank good­ness Alexan­der came along and… well, and so on. Call it “provin­cial­ism giv­ing way slightly to pay­ing atten­tion”, or maybe “nar­ra­tive recon­fig­u­ra­tion”, depend­ing on your background.

Clearly it isn’t that his­tory is writ­ten by the win­ners, but rather that they write and dis­trib­ute the Cliff’s Notes.

OK. That’s the setup. Here’s one point: Seems as though the writ­ers’ guide­lines for Cliff’s Notes demand Clear Sep­a­rat­ing Bound­aries. Starts and End­ings. First there was Egypt where they had mum­mies, then there was Greece where peo­ple were Demo­c­ra­tic, then there was Rome with fuzzy hel­mets and brass skirts, then there was (in advanced classes) Byzan­tium [sic] which was pretty for­eign and dis­si­pated like Paris or some­thing, then after a bit over there you get your King Arthur, and then after a while some­body turns on the lights and we get tele­scopes and gun­pow­der, and here we are. Nice clean starts and fin­ishes, all along the way, like dinosaurs being wiped out so lit­tle furry mam­mals can turn into Balu­chith­erium [sic] and stuff.

Surely there’s a name for this fal­lacy. “Con­sec­u­tivism” maybe? “Dis­cretism”? It is a fal­lacy, clearly; I’ve been hang­ing around a half-​​hour a day with actual his­to­ri­ans, the sort who sound as if they fling their arms around as they read, and they’ve man­aged to get choco­late in my peanut but­ter all over the place: Greeks in my Egypt, and [Greek!] Asia Minor in my Rome, and Celts in the Bible, and Per­sians in my Sparta, and cats and dogs liv­ing together.

And thence: Self-​​definition is all about the bound­aries. Insert a cunningly-​​crafted keen insight about bound­aries here, one that touches on all the expected things about brain­wash­ing, self-​​definition, provin­cial­ism, cul­tural pride, homo­gene­ity and diver­sity, ingroups and out­groups, wind, fire, all that kind of thing. Shorter ver­sion: “Hey, you know those are just Cliff’s Notes you’re read­ing, right?”

All this? All this was crys­tal­lized into an anas­ta­mos­ing tis­sue of rant because I just read Alexis Madri­gal talk­ing about the awful awful things that have hap­pened in our Amer­i­can cul­ture and the grow­ing dichotomy and the wor­ries every­body in pub­lic pol­icy expresses all the time about jobs and decline and inequal­ity.

It makes me sad, every time I see this sort of thing. Sad because of the box it grows within. It’s the provin­cial Star­tups Will Restore Us box, the Eco­nomic Devel­op­ment box, the one dec­o­rated with fine print that counts how many jobs (asses in office chairs!) and Press Releases From Tech Spin­offs (young peo­ple are the only ones who ever do any­thing inter­est­ing!) and with a star-​​shaped brass sticker that reads “Now with 25% more EARNEST HOPE!”

This box is a spe­cial kind of con­ser­vatism. Burke would rec­og­nize it, because it’s all about not break­ing things. Fun­da­men­tally it’s a ubiq­ui­tous habit of want­ing to restore—and more insid­i­ously, to expect change to hap­pen the same way it hap­pened last time—and it relies on the Cliff’s Notes ver­sion of eco­nom­ics and his­tory. As though the only peo­ple in an econ­omy were a few charis­matic megafauna, a corps of earnest and essen­tially non-​​profit bureau­crats, and the undif­fer­en­ti­ated Classes: upper, mid­dle, poor, from which those oth­ers arise now and then by spon­ta­neous gen­er­a­tion. All tidily pro­jected into the future by extrap­o­la­tion: The big charis­matic megafauna of the future must be like the ones of the past, tech­ni­cal not artis­tic, lead­ing not inte­grat­ing, rebuild­ing not repur­pos­ing. The insti­tu­tions of the future will be like our recently lost ones (com­pa­nies, states, all that), the best Mankind has found in the March For­ward. And the Classes, well, they are out of bal­ance.

Now see in your Dark Age, which after all is merely a lacuna between a cou­ple of those ex post facto dis­crete vol­umes of Cliff’s Notes, change hap­pens. The diver­sity of what hap­pens, the details of who’s doing what for whom and under what name, that car­ries on as before. Per­haps moreso. When­ever Empire stum­bles, nov­elty seems more promis­ing out at the unre­marked periph­ery, in the lost provinces and the places where exotic weirdos start try­ing new stuff out. Not in the core.

Some day, hope­fully in a few decades, some­body will real­ize sus­tain­abil­ity is a thing that hap­pens only in places where cen­tral plan­ners look away. I won­der whether we ought to stage a “Dark Age” of our own, rather than wait­ing for all these rebuild­ing rework­ing reboot­ing eco­nomic “devel­op­ment” efforts to fail in turn.

Devel­op­ment is exploita­tion, in Holland’s sense. Let us explore for a while. It’s not merely that the keys aren’t under that light pole, it’s that there are no doors out here in the lovely dark. Let us be bet­ter now to one another, and not worry so much about hon­or­ing the beloved dead: the fac­to­ries, the jobs, the state lines, and the habits of empire.

This is not about “rev­o­lu­tion”, by the way. This is sim­ply a request. Let us please have a King Cnut of Eco­nomic Devel­op­ment: Richard Florida might do fine, if only he was pay­ing atten­tion, because he has con­quered our mind­set for sure. Let him set him­self up on a throne at the shores of our “eco­nomic col­lapse”, and make what­ever ges­tures are called for by his audi­ence to stem the tide of fun­da­men­tal trans­for­ma­tive change, and let him then turn wisely to the fans and lack­eys and point out the moral of this les­son: that Emer­gence is not what you expect and foster.

Sorry. I couldn’t help but laugh out loud there.Richard Florida would never say any­thing of the sort.

Nonethe­less, let us emerge into the dark­ness, in other words. Every­thing that has hap­pened here under the lamp has already come and gone. We should totally leave this lone light here, burn­ing, if noth­ing else to draw the moths and bats it’s always drawn and act out its role as sym­bol of many sorts. Me, I’m headed over there towards those noises….

Captions

The cap­tions only, from Joker mag­a­zine of June 1959 (sub­ti­tled “PHOTO GEMS! GAGS FOR STAGS!”). About five long-​​form “jokes” have been skipped.

page0001.jpg

  • Now, yawn, darling!”
  • My wife has dis­cov­ered this hid­ing place!”
  • Excuse me, dear, I want to remind you that the last buss is at midnight!”
  • He’s unload­ing per­fume for the Harem!”
  • SIGHFUL EYEFUL: ROSA DALMAI!
  • It isn’t long after that a man falls into the arms of a woman that he falls into her hands!”
  • Well, I’m not dressed for table ten­nis. Think of some­thing I won’t have to dress for!”
  • It’s the desk—Our neigh­bors are com­plain­ing because it’s so quiet in here!”
  • DOLLS & SENSE: BETTY PAGE!
  • If some folks had known they would live to ripe old ages, they would have had a lot more fun in their youth!”
  • I have just the right pre­scrip­tion to go with the water—and it’s at my apartment!”
  • EASY ON THE AHS! JEAN SMYLE!
  • You wouldn’t think it to look at me, but I’m starved fro affection!”
  • I guess I am kinda small, but you ought to see the size of my check book!”
  • Yeah, but I don’t like the way they keep hors­ing around!”
  • All evening you were a per­fect gentleman—now I want you to know that I’m per­fect too!”
  • SWEET TALK: BIG EYE: CHERRY KNIGHT!
  • The aver­age girl seems to think that a flat tire is all right pro­vid­ing that he has the jack.
  • Jud­kins, get your mind back in the gutter!”
  • Do you mind hold­ing them for a minute—I have to dig for change!”
  • I’m going to have a hard time explain­ing this to your son!”
  • Sep­a­rate checks, please—my wife and I just had an argument!”
  • She said she’d do it, if she ever got one, but I never thought she’d have the nerve!”
  • Our skirt blower is out of order, ma’am, I’m just fill­ing in until it’s repaired!”
  • SWEET TALK: BIG EYE!
  • When I asked him to give me some­thing that would warm my heart and remind me of him, he pre­sented me with an elec­tric blanket!”
  • On this job, Miss Dib­ble, you’ll be required to show your abil­ity or you will hear from the front office!”
  • What a shame—just when I get to love you madly, you take a beat­ing in the stock market!”
  • It really is ter­rific! The rocket boys ought to use it because Bob is still flying!”
  • My heart is yours, Mr. Van Dyke, but ze rest of me belongs to Pierre!”
  • Here’s to tonight—and tomor­row morning!”
  • DOLLS & SENSE: IRIS BRISOL!
  • Co-​​eds,” jests Iris, “are noth­ing but girls who failed to get their men in high school!”
  • Excuse me, ma’am, are you here on the all-​​expense tour, or the econ­omy plan?!”
  • You’re almost in the right place, and that’s plain talk!”
  • I should have brought my camera—it might be a photo finish!”
  • My, Helen, you are a lit­tle high!”
  • SIGHFUL EYEFUL: RANDI RYAN!
  • An elec­tion year proves one thing, at least—that pol­i­tics makes estranged bedfellows!”
  • There’s a man in here! I took this tour on the Amer­i­can Plan!”
  • We would like to present Suzy /​ Who has beauty to spare; /​ She’s a frus­trated nud­ist /​ Who found it was more than she could bare!”
  • Good­ness me, does every­one get such good service?!”
  • Are those your views, or those of your sponsor?!”
  • That will teach you to leave a defense­less woman home every night!”
  • BE A MEDICINE MAN! When vis­it­ing a sick friend, take along our gal below and paste her to his med­i­cine bot­tle! He’ll now take his med­i­cine like a man!
  • After fly­ing planes all week it’s nice to watch some­one else take off down the runway!”
  • Let’s go to your apart­ment and count your blessings!”
  • …and what’ll we do when he grows up?”
  • EASY ON THE AHS: MONA MILLER!
  • The one man who has seen more bathing beau­ties than any­one else is a busy plumber!”
  • You’re the best boss my boyfriend ever had—He never had all this over­time at his other jobs!”
  • I think he’s an extrovert—he’s always putting out!”
  • It’s the only orig­i­nal I own. All the rest are reproductions!”
  • Infla­tion or no infla­tion, the two bucks for a mar­riage license is still a sound investment!”
  • It’s always fair weather when good friends get together!”
  • Well, you can’t type and you can’t take shorthand—how are you on remem­ber­ing things!”
  • DOLLS & SENSE:
  • The only thing old fash­ioned about some girls is the cock­tail you find in their hands.”
  • He treated me like a baby—kept feed­ing me a bot­tle all the time!”
  • She sure gives them a fair shake for their money!”
  • Well, I like this out­fit! You’ll either take it or love it!”
  • Any­thing spe­cial you want to tell mother?!”
  • Oh, love is okay, I guess—but Cupid’s dart missed my target!”
  • I save about $2.75 a week by doing my own laundry!”
  • I had to give up the olives—I can’t resist bob­bing for them!”
  • EASY ON THE AHS: TANYA ROGERS!
  • A ‘bar­gain’ is some­thing you can’t use at a price you can’t resist!”
  • Sorry I missed see­ing Frank… he must be quite busy around the yard. WHAT’S THAT!!!”
  • There’s a girl who comes within inches of going right to the top!”
  • WATCH YOUR STEP!”
  • You know, Alice, if we really wanted to see Italy, we should have come on our twen­ti­eth anniver­sary rather than our honeymoon!”
  • DOLLS & SENSE: ZAHRA NORBO!
  • If a woman loves you, all well and good! Oth­er­wise… well… there is no otherwise!”
  • I thought this dress was too flimsy—everyone knew my name is May!”
  • —And what did the sales girl tell you to do after you put on that sexy perfume?!”
  • SWEET TALK: BIG EYE: MARSHA JAMES!
  • Blis­ters can be a badge of character—depending, of course, upon where they are!”
  • Remem­ber you sug­gested, dear, that I invite some of my old friends over for a lit­tle get-​​together while you’re away—well, I did!”
  • Sign on the dot­ted line, please!”
  • I hope that char­ac­ter in the front row who burnt his chin on the foot­lights is all right!”
  • Would you like to sit this one out—or would you want to dance cheek to cheek?!”
  • I have sev­eral very impor­tant letters!”
  • You’re all tensed up—why don’t you relax!”
  • That’s the way with romance! Last night I was rid­ing high—tonight I’ve hit bottom!”
  • I don’t know why I always have to be the girl with the biggest can in these col­lec­tion drives!”
  • If he gets to dic­tat­ing too fast, I put my foot down!”
  • It was nice of you to ask me to become engaged to you, Fred­die, but for one wild moment I thought you were going to ask me to marry you!”
  • EASY ON THE AHS: DIANE WEBBER!
  • The smart girl,” Diane would have us know, “is one who keeps her eyes closed dur­ing and her mouth closed afterwards!”
  • That is lit­er­ary speak­ing, of course!”
  • DAWN RICHARDS!
  • Mar­ried men may not be the most informed peo­ple, but they cer­tainly are the most!”
  • A dou­ble order of spaghetti and meat balls? Where on earth are you going to put it all?!”
  • SHOW OFF! WENDY WELLS!
  • Who­ever thought they would be so early!”
  • I was fed up with my sax­o­phone lessons!”
  • Some girls are really lucky; she mar­ries for the first time, and to a millionaire!”
  • DOLLS & SENSE: BETTY PAGE!
  • The best solu­tion for World Peace is to spend more money on face pow­der and not on gunpowder!”

Richard Rorty, Voltairine de Cleyre, Peter Drucker and Clay Shirky walk into a bar…

…but then what happens?

And does any­body bother to write it down?

A recent dis­cus­sion at Crooked Tim­ber about pop under­stand­ing of Com­mu­nism and Steven Berlin Johnson’s excel­lent Where Good Ideas Come From focuses my gaze briefly on a strange con­flu­ence of atten­tion I’m hav­ing. The con­nec­tion is still vague and loose, but bear with me for a while.

Recently my attention’s been sortof equally spaced on:

…Amer­i­can Prag­ma­tism, via James and Dewey and cul­mi­nat­ing in Richard Rorty’s lat­ter works—which tend to be dis­missed as illog­i­cal by folks I respect, who know a lot more about big-​​P phi­los­o­phy than I do, but which some­how still res­onate with me.

…Anarchism—not the anti-​​globalism spray-​​painting vari­ety or the car­i­ca­tured bomb-​​throwing ter­ror­ist vari­ety, but the thought­ful sort spelled out by Michi­gan­der Voltairine de Cleyre a hun­dred years ago.

…Busi­ness and Work—not the power-​​grubbing fla­vor pop­u­lar among the Cham­bers of Com­merce and the Military-​​Entrepreneurship Machine, but the sort of self-​​adapting social dynam­ics focused on deliv­er­ing col­lec­tive, mutual value that Peter Drucker and the Agile Soft­ware move­ment call for.

…And of course the “new tech cul­ture” stuff we all love so much. I imag­ine you’re soak­ing in it, because you’re here: Mak­ers and inno­va­tors and net­works and open source. Emer­gence and com­plex­ol­ogy and decen­tral­iza­tion and OMG The Future!!eleven!

Four or more threads. This is the knot that’s caught my wordy atten­tion today.

Prag­ma­tism is a philo­soph­i­cal stance I might never have heard of—nor taken seri­ously if I had, given oth­ers’ prej­u­dice against it—if not for a pleas­ant ram­bling con­ver­sa­tion I had with Michael Cohen some years back.

It has fallen from our shared cul­tural plat­form, is not part of our canon.

Anar­chism I would surely have never con­sid­ered valid or wor­thy of atten­tion, were it not that I dig­i­tize and repub­lish old books (for fun), and I recently scanned my own copy of this work, which Google has already put online:

But who’s read this 100-​​year-​​old descrip­tion of what’s hap­pen­ing now, besides me? Nobody I know.

The Agile Man­i­festo (and the other design pat­terns for what you might call Humane Mak­ing) would prob­a­bly sound weird and use­less to me—after all, I started out as a sci­en­tist and aca­d­e­mic, and moved on to become the sort of cow­boy know-​​it-​​all con­sul­tant Founder. If it weren’t for time spent with Ron and Chet, and see­ing how they—and the count­less other Agile Coaches they’ve trained and inspired—have come to make a real dif­fer­ence in the qual­ity of people’s work.

And yet this move­ment starts even now to fall back into jar­gon and cant in the hands of corporatism.

And of course we’re all bathed con­stantly by the hoopla about social net­works and com­plex­ity the­ory and emer­gence and bio­engi­neer­ing and autonomous sys­tems and look this is the rev­o­lu­tion this time—no really we swear. I’ve had the luck and plea­sure to have actu­ally been in the room when a lot of that was being born. Not just dur­ing my too-​​short time spent work­ing with Chris and Stu and all the rest in Santa Fe, but also lurk­ing at the edges of the pre-​​Web Real­ity Hacker/​WELL cul­ture, and actu­ally using genetic pro­gram­ming as it buds and blooms into a New Kind of Engi­neer­ing [FYSW].

And yet despite my own awe as a par­tic­i­pant, I see the ridicu­lous Chaordic peo­ple and Man­age­ment Con­sul­tants gar­ner as much mind­share as the peo­ple who actu­ally help explain the world and make things.

I’m lucky, I say again, on all these counts, but frus­trated in each case.

Luck­ier than I can sum up. I’ve even started to forge some kind of “career”, and some­times we can really help how peo­ple work with this strange mish­mash of notions.

And more frus­trated than I can sum up, too. Because I’m start­ing to real­ize how lit­tle we see of the things at the edges of his­tory, away from the stars.

Is it just that His­tory is a machine we can­not see from inside? Ger­ald Stan­ley Lee, as I find so often, said some­thing lovely about the beauty of loco­mo­tives. But he was actu­ally say­ing some­thing deep about the beauty we should see in the “net­work of Man”:

Unless the word “beau­ti­ful” is big enough to make room for a glo­ri­ous, impe­ri­ous, world-​​possessing, world-​​commanding beauty like this, we are no longer its dis­ci­ples. It is become a play word. It lags behind truth.

In the con­text of the joy­ous Voice of the Machines—which you should go now and read aloud to one another—Lee’s mes­sage isn’t about find­ing metal pretty, it’s about how we should value things in the world. The poetry he sees in loco­mo­tives and telegraphs doesn’t just rebel against the aes­thetic canon that excludes the engineer’s work, it ques­tions the valid­ity of that canon itself. What inher­ent right does a Great Mas­ter have to our acco­lades, which we deny to a power grid’s architects?

I wish there were a thou­sand more like Ger­ald Stan­ley Lee, despite his mis­takes. Because of his mis­takes. His poetic vision revealed a com­mu­nity that was being fos­tered by mass media and tech­nol­ogy a cen­tury ago… but he never real­ized that fas­cism and com­mer­cial­ism would feed on that same raw material.

And I want more Stu Kauff­mans to point out the “adja­cent pos­si­ble” with­out know­ing much about Prag­ma­tism. More Steven John­sons to point out this real rev­o­lu­tion we’re in with­out always speak­ing cor­rectly about the his­to­ries of oth­ers’ ear­lier rev­o­lu­tions. And more Richard Rortys to explain how to be civil and tol­er­ant of one another’s dif­fer­ences, while dis­miss­ing the entire Enlight­en­ment as a mis­lead­ing sidebar.

We need these folks to make these mis­takes more often, not less.

We need more peo­ple to draw our atten­tion to use­ful things in the world, use­ful ways of liv­ing, with­out try­ing to be con­sis­tent and proper and right all the fuck­ing time.

I think what’s both­er­ing me is the Myth of Progress.

The mass media, our ubiq­ui­tous and con­sis­tent edu­ca­tion, our canon of the­ory? They’re not tools by which “the Man” oppresses, and they’re not going to “set us free” by reveal­ing the truth about the world; there is no “Man”, and the world doesn’t give a damn about what we say on NPR about it.

The risk these social forces pose is that the increased poten­tial for gen­eral and pop­u­lar suc­cess of smart peo­ple draws our local unsung lumi­nar­ies up and away. So they can talk amongst themselves.

And not with us.

We should be linked to one another by con­ver­sa­tions that look back and for­ward and down, and most of all side­ways at one another. Not just “up” at our lumi­nous col­leagues, our canon, but across at the friend we never sus­pected knew so much about that thing we were work­ing on together.

I’ve come to detest the con­sen­sus of shared cul­ture and its keep­ers, and our canon, and the news we’re told. I’m try­ing to rely more on the peo­ple in my pres­ence, and the peo­ple they know personally.

Not because I’m con­sid­er­ing tea­party­ism, but because I pity the famous, the great thinkers I used to hang out with. All of them that I’m lucky enough to know per­son­ally? They were thought­ful and self-​​effacing enough to know that there’s more of value in a mil­lion roil­ing dis­parate details they’ve never heard of, than can be aphorized in their best-​​selling book.

We’re all of us always wrong. I pity the famous, the canon-​​makers, the reveal­ers of truth, my pro­fes­sor friends because they’ve sac­ri­ficed their right to be wrong at the altar of Progress.

And as far as I can tell, that means they’re stuck; they’re not allowed to make mis­takes in public.

Lee also said this, on the topic of my very own frustration:

This out­look or glim­mer of vision I have tried to trace, for the art of crowds is some­thing we want, and want daily, in the future. We want daily a future. But, after all, it is a future.

I speak in this present chap­ter as one of the crowd who wants some­thing now.

I find myself in a world in which appar­ently some vast anony­mous arrange­ment was made about me and about my life, before I was born. This arrange­ment seems to be, as I under­stand it, that if I want to live while I am on this planet a cer­tain sort of life or be a cer­tain sort of per­son, I am expected prac­ti­cally to take out a per­mit for it from the proper authorities.

In the pre­vi­ous chap­ter I made a request of the author­i­ties, as per­haps the reader will remem­ber. I said, “I want to be good now.”

In this one I have a fur­ther request to make of the author­i­ties: “I want to be beautiful.”

I want to be beau­ti­ful now.

I find thou­sands of other peo­ple about me on every hand mak­ing these same two requests. I find that the author­i­ties do not seem to notice their requests any more than they have noticed mine.

Some of us have begun to sus­pect that we must have made the request in the wrong way. Per­haps we should not ask a world—a great, vague thing like the world in general—to make any slight arrange­ment we may need for being beau­ti­ful. We have come to feel that we must ask some­body in par­tic­u­lar, and do some­thing in par­tic­u­lar, and find some one in par­tic­u­lar with whom we can do it. There is get­ting to be but one course open to a man if he wants to be beau­ti­ful. He must bone down and work hard with his soul, make him­self see pre­cisely what it is and who it is stand­ing between him and a beau­ti­ful world. He must ask par­tic­u­lar per­sons in par­tic­u­lar posi­tions if they do not think he ought to be allowed to be beau­ti­ful. He must ask some mil­lion­aire prob­a­bly first—his employer, for instance—to stop get­ting in his way, and at least to step one side and let him rea­son with him. And when he can­not ask his millionaire—his own par­tic­u­lar hum­drum millionaire—to step one side and rea­son with him, he must ask iron-​​machines to step one side and rea­son with him. After this he must ask crowds to please to step one side and rea­son with him.

What­ever hap­pens, he is sure to find always these same three great, impon­der­able obstruc­tions in the way of his being beautiful—the hum­drum mil­lion­aires, the iron-​​machines, and crowds.

In the old days when any one wanted to be beau­ti­ful he found it more con­ve­nient. There was very likely some one who was more beau­ti­ful than he was nearby, some one who found him crav­ing the same thing that he had craved, and who rec­og­nized it and delighted in it, and who could make room and help.

Nowa­days, if one wants to be beau­ti­ful one must ask every­body. Every man finds it the same. He must ask mil­lions of peo­ple to let him be some­thing, one after the other in rows, that they do not want him to be or do not care whether he is or not. He has to ask more peo­ple than he could count, before he dies, to let him be beau­ti­ful. Many of them that he has to ask, some­times most of them, are his inferiors.

I have tried to deal with how it is going to be pos­si­ble for a man to break through to being beau­ti­ful, past mil­lion­aires and past iron-​​machines. I would like now to deal with the people-​​machines or crowds, and how per­haps to break past them and be beau­ti­ful in behalf of them, in spite of them.…

So what shall we do on behalf of—and in spite of—these bright thinkers, own­ers of the canon we are taught as mem­bers of this crowd Lee talks about?

I’d like to free them, per­son­ally. Free them from the ter­ri­ble price they pay when they sac­ri­fice their par­tic­i­pa­tion.

If noth­ing else, we should at least try to build another one. Some other canon. Maybe a bunch.

Maybe one where we have no inten­tion of try­ing to get our story straight, so that it gibes with our most recent global “objec­tive real­ity” or the lat­est faceting of his­tory. One where the notion of Progress—whether it’s progress towards unmask­ing Ulti­mate Real­ity, or achiev­ing Per­fect Health, or plan­ning and exe­cut­ing (in either sense) The Most Appro­pri­ate Gov­ern­ment, or even just mak­ing every­body happy—is dead. No more Progress; just progress.

How about we change gears? Maybe we can try mak­ing our neigh­bors’ lives bet­ter. “Neigh­bor” doesn’t have to be local, or even phys­i­cal: it just needs to mean not every­body, and not all the same def­i­n­i­tion of “bet­ter”.

In other words, let’s just pro­ceed as though that canon we’ve all been wear­ing out from overuse wasn’t the only one, and see what happens.

Who knows? Maybe we won’t wear out the “reg­u­lar” one so quickly, if we don’t all use it all the time.

What will you do today instead of the thing every­body knows you should?